1 00:00:10,060 --> 00:00:11,360 can you re well 2 00:00:12,150 --> 00:00:17,680 my name is a quick steiner and part of the huge design team that we 3 00:00:17,680 --> 00:00:18,600 have 4 00:00:20,000 --> 00:00:25,740 and i'm gonna so the disappoint my designer friends and colleagues 5 00:00:26,180 --> 00:00:32,380 and i'm just gonna be talking about the shuttle that i use the tools that 6 00:00:32,380 --> 00:00:37,750 i use not gonna be much of a you know on design talk more it's 7 00:00:37,750 --> 00:00:40,000 going to be a blender for 8 00:00:41,520 --> 00:00:49,090 so what is blended a it is a three any package that is used to 9 00:00:49,090 --> 00:00:53,830 produce a full blown movies 10 00:00:55,670 --> 00:00:59,180 here's a few titles that the blender foundation the 11 00:00:59,690 --> 00:01:06,730 the mother all the project have want the than they possible they just one big 12 00:01:06,730 --> 00:01:07,850 please feel which is 13 00:01:12,020 --> 00:01:18,030 a site finally we if you've ever seen any one of those movies definitely checkout 14 00:01:18,030 --> 00:01:19,810 belief in tell which is 15 00:01:20,180 --> 00:01:22,360 actual movie okay 16 00:01:22,970 --> 00:01:28,170 out of all those that are produced and it stands on its own but most 17 00:01:28,170 --> 00:01:35,150 of these are really great have that for a developing wonder so they provided really 18 00:01:35,150 --> 00:01:45,870 you know use cases relevant use cases for the to develop it's also at getting 19 00:01:45,870 --> 00:01:50,300 production environment so it can be used to 20 00:01:52,690 --> 00:02:01,810 develop games i'm actually considered using the game engine to produce interactive prototypes 21 00:02:02,170 --> 00:02:08,190 for know are we didn't even try to for the pins 22 00:02:08,580 --> 00:02:11,870 footsteps and then in blender 23 00:02:12,340 --> 00:02:15,970 which i can just demo my failure 24 00:02:16,590 --> 00:02:17,560 see 25 00:02:19,100 --> 00:02:23,400 who's i lost my cursor somehow that is not good 26 00:02:24,760 --> 00:02:26,520 how do i get it back 27 00:02:30,640 --> 00:02:31,660 okay 28 00:02:34,870 --> 00:02:36,810 back with the cursor thank you 29 00:02:38,790 --> 00:02:40,110 so 30 00:02:42,390 --> 00:02:42,860 it's 31 00:02:44,330 --> 00:02:48,390 well it actually has slides from previous 32 00:02:51,640 --> 00:02:52,500 because 33 00:02:52,810 --> 00:02:58,770 i don't know if you get into details but the text tool that is in 34 00:02:58,770 --> 00:03:03,540 blender kind of behaves completely different in the game engine so i thought of gonna 35 00:03:06,420 --> 00:03:10,380 present like that with image plane but it turns out to be very clumsy but 36 00:03:10,380 --> 00:03:15,490 you can do pretty much anything with wonder but back to topic so it is 37 00:03:15,490 --> 00:03:20,190 be game engine it is also i wanna creation tool 38 00:03:20,940 --> 00:03:29,560 remotely i view somebody iphones in the you know that were created also thanks to 39 00:03:29,560 --> 00:03:30,160 winter 40 00:03:33,010 --> 00:03:37,980 and we also use it for documentation some of you have seen my R L 41 00:03:37,980 --> 00:03:38,870 G M talk 42 00:03:39,430 --> 00:03:42,620 where are discussed the getting started project 43 00:03:43,040 --> 00:03:43,600 that 44 00:03:45,070 --> 00:03:47,110 me and that are 45 00:03:50,620 --> 00:03:51,460 created for 46 00:03:52,690 --> 00:03:58,610 the last release of know so it's sort of a 47 00:04:00,640 --> 00:04:07,520 really simplistic animation describing and showing kind of a hands on 48 00:04:08,820 --> 00:04:13,450 helping people make the first footsteps in brno 49 00:04:14,000 --> 00:04:16,450 and there are it's actually translate it 50 00:04:17,250 --> 00:04:18,220 so 51 00:04:19,530 --> 00:04:20,500 the 52 00:04:21,010 --> 00:04:27,170 the tool lender actually have very good integration with a scripting language 53 00:04:27,640 --> 00:04:31,990 so we just call the renderer after translating all the strings 54 00:04:32,440 --> 00:04:36,370 so even the animation itself is translated 55 00:04:37,670 --> 00:04:45,310 a what i'm gonna be talking about here is using blender as a prototyping tool 56 00:04:45,920 --> 00:04:47,780 for prototyping 57 00:04:49,300 --> 00:04:51,800 the sort of transitive state 58 00:04:53,840 --> 00:04:54,350 so 59 00:04:54,920 --> 00:04:56,690 prototyping animation 60 00:04:57,310 --> 00:05:02,940 why is why did i choose blender apart from the fact that it's a tool 61 00:05:02,940 --> 00:05:04,400 that's available 62 00:05:05,840 --> 00:05:07,170 mainly 63 00:05:09,120 --> 00:05:19,030 because of iteration to get something i'm actually we getting ahead of myself i have 64 00:05:19,030 --> 00:05:24,830 done this talk will probably repeat a lot of the things that i said on 65 00:05:24,830 --> 00:05:31,500 if you follow the you know design channel one you to have had a series 66 00:05:31,500 --> 00:05:32,080 of 67 00:05:32,610 --> 00:05:34,840 of tutorials or 68 00:05:36,020 --> 00:05:38,700 videos of behind the scenes a looks 69 00:05:39,180 --> 00:05:43,670 add how to do motion design would blender 70 00:05:44,240 --> 00:05:47,460 so the that before god i'm probably gonna 71 00:05:48,160 --> 00:05:54,700 handout or pdf or so the shortcut url is actually the play list of all 72 00:05:54,700 --> 00:05:58,230 the "'cause" the channel is full of other walk outside 73 00:05:58,710 --> 00:06:02,570 and other interesting things but that is just to play list for the 74 00:06:03,220 --> 00:06:04,780 motion design 75 00:06:06,970 --> 00:06:12,870 i would have shortly talk about why we need to mark up and design these 76 00:06:12,870 --> 00:06:13,880 conditions 77 00:06:16,870 --> 00:06:20,240 you may have noticed that we kind of shifted 78 00:06:21,120 --> 00:06:24,220 in our design kind of shifted away from those 79 00:06:24,800 --> 00:06:29,020 everything at your fingertips kind of interfaces where 80 00:06:30,910 --> 00:06:34,360 everything it is thrown at you at the same time 81 00:06:35,370 --> 00:06:38,640 to words more streamlined interfaces 82 00:06:39,010 --> 00:06:39,940 some people 83 00:06:40,510 --> 00:06:41,360 you know 84 00:06:41,980 --> 00:06:50,330 kind of mistakenly associate that with touch interface is of the form for factor it's 85 00:06:50,330 --> 00:06:53,740 not related to touch adjusted something that happened 86 00:06:54,220 --> 00:07:00,850 when you devices got popular so we're doing to interface is that 87 00:07:01,790 --> 00:07:09,200 try to minimise the number of controls and chrome you know being shown at the 88 00:07:09,200 --> 00:07:11,840 same time but only show you control that 89 00:07:12,270 --> 00:07:17,130 are necessary in the context of what you're viewing and this sort of 90 00:07:17,570 --> 00:07:19,710 requires 91 00:07:20,320 --> 00:07:27,230 to change of scenes or change the interface it required the interface to be more 92 00:07:27,230 --> 00:07:28,000 dynamic 93 00:07:28,580 --> 00:07:31,760 and i have a few examples 94 00:07:34,910 --> 00:07:36,440 actually as i was 95 00:07:36,740 --> 00:07:37,580 sitting 96 00:07:38,390 --> 00:07:40,190 and being very 97 00:07:42,260 --> 00:07:47,690 drawing to the last lecture also observed a john hacking on scrolling 98 00:07:48,490 --> 00:07:48,950 and 99 00:07:50,900 --> 00:07:51,190 so 100 00:07:51,870 --> 00:07:59,420 seeing him struggle with scrolling at a little window by only a small bit one 101 00:07:59,420 --> 00:08:04,140 line and this thing happening you know been are a without this move 102 00:08:06,850 --> 00:08:11,050 transition between that and well one line is probably 103 00:08:12,480 --> 00:08:16,350 not as much of a change if you're 104 00:08:17,220 --> 00:08:26,300 repainting you're seeing like with you know to if you remember virtual desktop for workspaces 105 00:08:26,810 --> 00:08:35,470 we're not perceived by majority of people very well because the transition just button there 106 00:08:35,470 --> 00:08:41,120 it would be in a very you will have one workspace only windows and suddenly 107 00:08:41,120 --> 00:08:47,350 either by hitting a shortcut to miss clicking on the toolbar your mentors disappear and 108 00:08:47,350 --> 00:08:54,910 there was usually no you know indication or feedback what actually happened 109 00:08:55,390 --> 00:08:57,810 i have another example of this 110 00:08:58,280 --> 00:08:59,870 directly in blender 111 00:09:01,060 --> 00:09:02,010 it's just 112 00:09:02,330 --> 00:09:04,300 you see this 113 00:09:08,230 --> 00:09:11,750 so let's take this you but you looks the same size 114 00:09:13,380 --> 00:09:14,800 scale it is 115 00:09:16,960 --> 00:09:17,430 perhaps 116 00:09:18,920 --> 00:09:19,790 interesting 117 00:09:20,380 --> 00:09:24,790 do you mind if i sit and disappear this the be or be high to 118 00:09:24,790 --> 00:09:25,620 give your 119 00:09:26,190 --> 00:09:27,430 and i'm just gonna be this 120 00:09:29,070 --> 00:09:31,390 all encompassing be able it's 121 00:09:48,830 --> 00:09:50,620 okay i'm just trying to make this 122 00:09:50,940 --> 00:09:59,400 shape look somewhat distinct from one side so wonder has like multiple views and when 123 00:09:59,400 --> 00:10:02,200 you switch diffuse you can see that 124 00:10:02,760 --> 00:10:04,130 it actually 125 00:10:05,590 --> 00:10:11,260 transitions between them which gives you a much better idea of what you you're looking 126 00:10:11,260 --> 00:10:15,030 at i mean there's a there's a label on the top left 127 00:10:15,640 --> 00:10:21,640 to do to like hank you what you're looking at but it's much easier to 128 00:10:21,640 --> 00:10:28,010 figure out you know the way you look especially when you add a camera you 129 00:10:28,010 --> 00:10:29,330 know in into 130 00:10:33,410 --> 00:10:39,600 into the play so the transition really helps you navigate in the three D space 131 00:10:39,600 --> 00:10:43,340 and inventor this is actually an option because they're from crazy 132 00:10:44,320 --> 00:10:50,220 and a some people think like feel this that's a factual fraction of a fine 133 00:10:50,220 --> 00:10:55,650 but it helps a lot by figuring out where you are in space so that's 134 00:10:55,650 --> 00:10:57,900 why the transitions 135 00:10:58,310 --> 00:11:00,170 are actually very helpful 136 00:11:01,920 --> 00:11:04,660 in communicating what's actually happening in front 137 00:11:08,880 --> 00:11:11,850 i think this is the default now 138 00:11:12,240 --> 00:11:16,860 it's a you know it's probably in the options somewhere 139 00:11:17,330 --> 00:11:20,000 but you can try to help me find it 140 00:11:35,560 --> 00:11:36,850 it is somewhere 141 00:11:39,560 --> 00:11:40,740 i don't know 142 00:11:44,550 --> 00:11:45,740 so 143 00:11:46,840 --> 00:11:47,420 for 144 00:11:48,970 --> 00:11:54,780 are you usually never get anything right the first time and people sort of expect 145 00:11:54,780 --> 00:11:55,310 us 146 00:11:55,720 --> 00:11:57,750 when they look at the we key 147 00:11:59,410 --> 00:12:03,410 or when i post something on the you to channel that is the final thing 148 00:12:03,410 --> 00:12:05,960 and no not at all 149 00:12:07,400 --> 00:12:10,950 we need to have tools that allow us to quickly integrate 150 00:12:11,430 --> 00:12:18,070 and get things right especially in that at the time you don't wanna wait for 151 00:12:18,070 --> 00:12:24,180 some like you're gonna be switching workspaces all the time but you know the timing 152 00:12:24,180 --> 00:12:25,970 has to be have to be right 153 00:12:26,630 --> 00:12:28,310 so to get 154 00:12:29,160 --> 00:12:32,640 that flexibility of being able to change 155 00:12:34,290 --> 00:12:35,240 the timing 156 00:12:36,000 --> 00:12:38,540 you have to have a preview 157 00:12:39,750 --> 00:12:44,770 of what you're doing and blender has a fairly 158 00:12:45,350 --> 00:12:52,920 reasonable view in the three D view or that are usually because this is primarily 159 00:12:52,920 --> 00:13:00,240 a three D package you for you know more delaying the primary view with usually 160 00:13:00,240 --> 00:13:05,360 the wire frame but it also have and then we looked some something that's interesting 161 00:13:05,360 --> 00:13:06,040 works 162 00:13:06,830 --> 00:13:10,400 scrolling one was good so this is an old very old 163 00:13:10,950 --> 00:13:15,260 a project of mine but you can see here in the preview i'm 164 00:13:16,930 --> 00:13:24,060 i'm seeing a image textures so this is a textured view as the O G 165 00:13:24,060 --> 00:13:28,260 L S L U and it gets pretty accurate i can also 166 00:13:29,280 --> 00:13:30,040 hide everything 167 00:13:30,110 --> 00:13:31,770 that's outside the camera 168 00:13:32,980 --> 00:13:33,560 can 169 00:13:34,890 --> 00:13:35,930 select first 170 00:13:37,530 --> 00:13:40,670 hear him or buttons in a 171 00:13:40,780 --> 00:13:43,600 but to is the 172 00:13:44,730 --> 00:13:46,420 i'm looking at it probably 173 00:13:47,930 --> 00:13:48,870 okay all 174 00:13:50,880 --> 00:13:51,440 for me 175 00:13:55,510 --> 00:13:55,630 okay 176 00:13:56,420 --> 00:14:00,920 so if i play back the intonation you're gonna get pretty much real time 177 00:14:01,520 --> 00:14:03,750 playback helping animation 178 00:14:05,710 --> 00:14:09,240 without the need to wait for under or anything like that 179 00:14:09,730 --> 00:14:11,460 so this is really good for 180 00:14:11,890 --> 00:14:13,430 getting the timing right 181 00:14:13,950 --> 00:14:14,370 but 182 00:14:15,340 --> 00:14:18,480 unfortunately it has many drawbacks 183 00:14:19,100 --> 00:14:22,460 the kind of animation that we need 184 00:14:22,960 --> 00:14:24,550 usually involves 185 00:14:25,430 --> 00:14:26,950 switching 186 00:14:28,810 --> 00:14:33,140 states of at the few you can see all the objects 187 00:14:34,210 --> 00:14:38,950 i just tell you know matched planes and they have a texture touch to it 188 00:14:39,500 --> 00:14:42,260 want to like mimic 189 00:14:42,800 --> 00:14:50,680 at change of a seeing eye usually blended between then what have the material consisting 190 00:14:50,680 --> 00:14:52,560 of two image textures 191 00:14:53,140 --> 00:14:56,600 that are applied but 192 00:14:57,190 --> 00:15:03,990 to the colour of the material and the alpha channel five the transparency or opacity 193 00:15:03,990 --> 00:15:05,260 of that object 194 00:15:05,680 --> 00:15:08,200 and one blending between then does not 195 00:15:08,810 --> 00:15:12,840 get real time rendered in the jealous of you 196 00:15:13,360 --> 00:15:17,050 so you're not getting you're not getting you're not seeing 197 00:15:17,730 --> 00:15:21,040 just do another example this straight it's 198 00:15:23,110 --> 00:15:23,290 mm 199 00:15:27,360 --> 00:15:28,270 fairly 200 00:15:28,610 --> 00:15:30,020 long so you're gonna 201 00:15:31,550 --> 00:15:32,080 you 202 00:15:32,640 --> 00:15:34,870 trip down memory lane a little 203 00:15:38,430 --> 00:15:42,990 you can see they all thought is not compass of it correctly and also when 204 00:15:42,990 --> 00:15:50,810 you go to the overview it should be shaded with black the textures of the 205 00:15:50,810 --> 00:15:59,750 windows actually change in season really for design of virtual workspaces going on there so 206 00:15:59,750 --> 00:16:03,890 the G are selling you is not perfect 207 00:16:04,980 --> 00:16:08,420 it has in many cases 208 00:16:09,530 --> 00:16:13,510 walls the pixel is not getting seriously hot 209 00:16:18,480 --> 00:16:19,550 what's the solution 210 00:16:21,140 --> 00:16:23,170 i thought it i don't have any sounds 211 00:16:23,920 --> 00:16:24,420 i 212 00:16:28,740 --> 00:16:34,680 so the blender guys came up with just for me they came up with a 213 00:16:34,680 --> 00:16:36,090 new rendering engine 214 00:16:36,620 --> 00:16:44,100 which is impressive in many other ways but for me the biggest i think that 215 00:16:44,100 --> 00:16:49,230 it brought was the interactive preview inside 216 00:16:49,630 --> 00:16:56,970 the view port itself so you're not actually so to go back to my former 217 00:16:56,970 --> 00:17:03,140 work flow if i actually wanted to see what's the animation 218 00:17:03,970 --> 00:17:04,950 will look like 219 00:17:05,310 --> 00:17:11,650 required me to render these into a either and i nation power later always just 220 00:17:11,650 --> 00:17:13,980 doing image stills for reason that time 221 00:17:14,860 --> 00:17:16,770 can't explain if you're interested 222 00:17:18,820 --> 00:17:20,650 so it was waiting 223 00:17:21,620 --> 00:17:26,520 and i had my old computer it was really slow now i have like multi-core 224 00:17:26,520 --> 00:17:32,300 beast of a machine so it's better but still it's a drag 225 00:17:33,530 --> 00:17:38,140 you can make a mistake and you don't see it and i do every time 226 00:17:38,140 --> 00:17:42,030 i can make a mistake i make it into corrected i make another one 227 00:17:42,540 --> 00:17:47,930 so it's just and it's especially easy in blender because there's like lots of 228 00:17:48,690 --> 00:17:51,450 things where you are reusing the same 229 00:17:52,020 --> 00:17:55,740 like material or texture that you're using elsewhere and then you 230 00:17:56,340 --> 00:17:57,500 change it's 231 00:17:57,850 --> 00:18:03,130 without thinking that it's actually being used by multiple objects or you break it elsewhere 232 00:18:03,130 --> 00:18:06,380 and you don't see it until you hundred and you render it 233 00:18:06,770 --> 00:18:10,000 so it's just a very tedious work for 234 00:18:10,960 --> 00:18:11,740 so we did 235 00:18:13,300 --> 00:18:14,530 with the new 236 00:18:15,910 --> 00:18:19,440 and i'm now going to you know 237 00:18:20,840 --> 00:18:24,040 it was the solution for a 238 00:18:24,360 --> 00:18:27,280 to avoid like fracture bugs with cycles 239 00:18:27,850 --> 00:18:30,080 it's disabled by default if you open it 240 00:18:32,660 --> 00:18:38,790 so we don't actually it it's a rates and provides are real time of sort 241 00:18:38,790 --> 00:18:43,120 of preview directly in the three D view port 242 00:18:43,660 --> 00:18:45,220 and this is an accurate 243 00:18:45,610 --> 00:18:46,580 render 244 00:18:47,140 --> 00:18:48,100 so 245 00:18:50,930 --> 00:18:56,840 except for motion will are which i'm only using because i'm used to twenty five 246 00:18:56,840 --> 00:18:59,690 frames per second well 247 00:19:00,300 --> 00:19:06,960 and just to like provide that fluidity for the i cheat will using motion better 248 00:19:06,960 --> 00:19:12,510 rather than doing everything sixty frame saying that a takes a lot longer and it's 249 00:19:12,510 --> 00:19:14,490 not really needed for the for the mark ups 250 00:19:15,150 --> 00:19:22,470 but apart promotion bore it really provides an accurate render sure that had brought something 251 00:19:22,470 --> 00:19:28,310 more interesting than this but what we're where you're saying for our mock ups is 252 00:19:28,310 --> 00:19:35,660 never i i'll it scene so the materials are all these image planes are being 253 00:19:35,660 --> 00:19:41,900 transmitted so they're trying to me so there's no actual lighting 254 00:19:43,140 --> 00:19:45,070 it's very simple i bought 255 00:19:45,390 --> 00:19:47,430 if i move around in the 256 00:19:48,010 --> 00:19:51,480 in the time line everything that i see 257 00:19:52,050 --> 00:19:54,460 is that an accurate render 258 00:19:55,100 --> 00:19:58,490 that i'm gonna get where everybody's into image styles 259 00:19:59,030 --> 00:19:59,710 of course 260 00:20:00,150 --> 00:20:05,210 i have i don't have a very all for machine it is our full but 261 00:20:06,060 --> 00:20:07,920 not as powerful to be able to 262 00:20:11,020 --> 00:20:13,680 keep up and giving me a real time preview 263 00:20:14,010 --> 00:20:18,270 so this is this is this is playback but it's not really keeping up 264 00:20:18,850 --> 00:20:21,580 with the real time playback 265 00:20:22,070 --> 00:20:26,310 but i can switch back to something that material you 266 00:20:27,770 --> 00:20:32,110 or just wire frame to be able to rehearse the timings 267 00:20:32,510 --> 00:20:34,350 better but still 268 00:20:34,940 --> 00:20:37,210 like have another window of cycles 269 00:20:37,560 --> 00:20:39,660 or just switched which the 270 00:20:40,730 --> 00:20:44,890 which the view that would be we give you a real time preview 271 00:20:45,430 --> 00:20:49,680 and this is actually markup for the work that colour doing 272 00:20:50,490 --> 00:20:51,020 where 273 00:20:52,050 --> 00:20:52,620 here 274 00:20:53,300 --> 00:20:55,320 so we're gonna get this eventually 275 00:20:57,320 --> 00:21:02,800 and so i'm going to this talk is now over 276 00:21:03,080 --> 00:21:07,590 i am going to are going to actually demo and show you some of the 277 00:21:07,590 --> 00:21:11,580 things that i do to produce this 278 00:21:12,610 --> 00:21:17,890 and i'm gonna do that by sitting and disappearing again if at any time you 279 00:21:17,890 --> 00:21:23,160 have a question please you know raise your hand and ask away 280 00:21:24,690 --> 00:21:26,320 so i'm gonna start with 281 00:21:27,800 --> 00:21:32,610 explaining the different material setup 282 00:21:33,230 --> 00:21:37,930 that you have for you have a question 283 00:21:41,740 --> 00:21:49,000 so like i said the things are completely different in cycles in terms of material 284 00:21:49,000 --> 00:21:50,540 setup but 285 00:21:52,040 --> 00:21:56,710 you know the under community is got infinite resources so they're actually maintaining the two 286 00:21:56,710 --> 00:22:02,030 engines can currently but i think the new well this so much better and make 287 00:22:02,030 --> 00:22:08,510 so much more sense in the older will you had like a special switch which 288 00:22:08,510 --> 00:22:10,240 with a shade less 289 00:22:10,700 --> 00:22:15,830 that a lot you to do something like this where you did not worry about 290 00:22:15,830 --> 00:22:23,370 know complex lighting your mopping up a user interface everything is just flat shaded all 291 00:22:23,370 --> 00:22:29,500 the textures are just that you know what materials aren't very sophisticated just the texture 292 00:22:29,500 --> 00:22:35,160 that trying in colour and can be transparent and even that it didn't do all 293 00:22:35,160 --> 00:22:36,610 to well like landing 294 00:22:38,060 --> 00:22:42,110 the transparency a long the colour the state with kind of 295 00:22:42,860 --> 00:22:46,740 finicky at times because you would get that all what channel of the 296 00:22:47,350 --> 00:22:51,190 you know a blend of to well what channel it's just it's a there were 297 00:22:51,190 --> 00:22:56,980 cases where this is the right and of set up with actually quite tedious 298 00:22:57,410 --> 00:23:02,170 this set of materials enough and now so i called 299 00:23:04,360 --> 00:23:09,520 makes more sense in my opinion but you know i was used to something else 300 00:23:09,520 --> 00:23:17,450 i love that i know so we was a little bit tricky not there is 301 00:23:18,230 --> 00:23:19,270 no start you 302 00:23:21,700 --> 00:23:23,630 there is a very helpful tool 303 00:23:24,270 --> 00:23:26,310 to help you with 304 00:23:27,630 --> 00:23:30,300 using blender for you sort of to the 305 00:23:30,810 --> 00:23:33,950 and emission and that is important images this one 306 00:23:34,850 --> 00:23:35,780 so it's a script 307 00:23:36,280 --> 00:23:42,770 that you to do just that it's not enable but default so what you do 308 00:23:42,770 --> 00:23:46,140 is it is like and then dons a tab 309 00:23:46,910 --> 00:23:49,420 and you search for import 310 00:23:50,300 --> 00:23:53,210 images as planes and it right here 311 00:23:53,720 --> 00:23:54,850 you just and he will that 312 00:23:56,400 --> 00:23:57,570 and you have it 313 00:24:00,370 --> 00:24:04,780 so now we can import images and explains 314 00:24:05,110 --> 00:24:10,660 and this is actually two scripts at one because right now i mean the all 315 00:24:10,660 --> 00:24:13,050 will the blender render engine 316 00:24:13,890 --> 00:24:20,500 you can use that it's gonna set up the materials appropriately but if i changed 317 00:24:20,500 --> 00:24:25,520 two cycles engine it's gonna do complete something completely different so it is the exact 318 00:24:25,520 --> 00:24:26,750 same work flow 319 00:24:27,070 --> 00:24:28,620 i need to find a 320 00:24:29,760 --> 00:24:30,790 texture 321 00:24:32,400 --> 00:24:35,630 where are will people will 322 00:24:36,640 --> 00:24:37,080 good 323 00:24:37,800 --> 00:24:38,810 so 324 00:24:39,350 --> 00:24:41,560 it just did all the work for me 325 00:24:42,700 --> 00:24:43,550 and 326 00:24:43,960 --> 00:24:46,000 if i take a look at the material 327 00:24:48,880 --> 00:24:51,260 doesn't so i'm gonna split my view 328 00:24:52,100 --> 00:24:53,910 show you the materials 329 00:24:56,310 --> 00:24:58,890 so in cycles the materials are 330 00:25:01,910 --> 00:25:06,220 not that the there is a can of the this is the key 331 00:25:10,220 --> 00:25:11,060 so 332 00:25:11,880 --> 00:25:17,170 i'm actually done the one thing and i didn't look at 333 00:25:17,960 --> 00:25:19,780 the options that the 334 00:25:22,580 --> 00:25:24,990 that the import script has 335 00:25:25,510 --> 00:25:28,660 and then you old wallpaper 336 00:25:29,550 --> 00:25:34,230 and so we here and is if you off and how you want to import 337 00:25:34,610 --> 00:25:42,370 your image for our rgb at the end he is so you know colour information 338 00:25:42,370 --> 00:25:49,230 plus transparency you want to select the emission and transparent so the material will image 339 00:25:49,230 --> 00:25:50,010 colour 340 00:25:50,470 --> 00:25:55,430 and it's going to use the alpha channel from the image 341 00:25:55,800 --> 00:25:58,900 to use as a transparency mask 342 00:25:59,270 --> 00:26:01,100 for or fate or 343 00:26:02,680 --> 00:26:04,520 sure right here also 344 00:26:05,120 --> 00:26:10,020 there's multiple ways of how you can scale the image into the see i'm just 345 00:26:10,020 --> 00:26:10,210 gonna 346 00:26:11,060 --> 00:26:12,350 use the 347 00:26:12,910 --> 00:26:14,410 a relative 348 00:26:16,050 --> 00:26:17,530 size so 349 00:26:18,180 --> 00:26:19,040 if i would 350 00:26:27,610 --> 00:26:28,140 well 351 00:26:31,040 --> 00:26:31,900 so if i would 352 00:26:33,640 --> 00:26:36,330 the points the camera at it are 353 00:26:52,840 --> 00:26:54,920 so if i switch to the 354 00:26:55,430 --> 00:27:01,210 rendered view you can see that this one is actually training colour one to the 355 00:27:01,210 --> 00:27:04,050 other one but if i didn't have this one 356 00:27:06,400 --> 00:27:10,510 well that some ambient lighting in the scene so have to 357 00:27:10,950 --> 00:27:11,930 get rid of that 358 00:27:12,760 --> 00:27:15,750 anyway so this is the right way to set it up 359 00:27:21,380 --> 00:27:27,350 so the way it works the materials are actually ripple shader 360 00:27:27,860 --> 00:27:28,780 so 361 00:27:29,910 --> 00:27:36,570 D colour information like a admission shader which would normally a lot of you set 362 00:27:36,570 --> 00:27:37,340 a colour 363 00:27:38,170 --> 00:27:39,300 to and it 364 00:27:39,920 --> 00:27:41,930 use for lance 365 00:27:42,210 --> 00:27:43,330 essentially or 366 00:27:45,210 --> 00:27:46,380 that sort of thing 367 00:27:47,670 --> 00:27:52,510 parts instead we are using the image texture what 368 00:27:53,090 --> 00:27:56,260 the image texture i don't really know what drink feel is 369 00:27:58,560 --> 00:28:04,610 so let's just say that the colour information from the image is being passed to 370 00:28:04,610 --> 00:28:05,630 the emission 371 00:28:06,660 --> 00:28:07,700 shader 372 00:28:08,370 --> 00:28:08,950 that would 373 00:28:09,590 --> 00:28:15,970 in this case give us exactly what we what we need unfortunately or in the 374 00:28:15,970 --> 00:28:23,400 cases where there is from transparency information we would need the other bit which is 375 00:28:23,400 --> 00:28:25,850 a transparent shader which usually just 376 00:28:26,440 --> 00:28:30,310 is that if i set the colour 377 00:28:31,970 --> 00:28:32,270 that 378 00:28:34,670 --> 00:28:35,940 i don't know why my name 379 00:28:37,070 --> 00:28:39,310 what do you want to do with that one 380 00:28:41,550 --> 00:28:43,310 yes i do want 381 00:28:44,140 --> 00:28:45,440 there's probably a for 382 00:28:46,830 --> 00:28:47,760 there we go 383 00:28:48,310 --> 00:28:49,040 one 384 00:28:49,470 --> 00:28:52,530 so it's providing a parent 385 00:28:55,110 --> 00:28:56,160 transparency 386 00:28:58,970 --> 00:29:01,350 but if we take 387 00:29:01,910 --> 00:29:04,750 the alpha channel all the image 388 00:29:05,190 --> 00:29:12,390 as a that's a factor of how we're mixing these two colours it's effectively doing 389 00:29:12,390 --> 00:29:14,930 what we want so there's 390 00:29:15,430 --> 00:29:19,500 the in they did image going in here 391 00:29:19,880 --> 00:29:24,740 that would normally be like mixed based on the factor that's here so this would 392 00:29:24,740 --> 00:29:30,840 be fifty percent transparent if i would keep the fancy channel white 393 00:29:31,880 --> 00:29:35,240 but we're gonna use the alpha channel as a map 394 00:29:36,740 --> 00:29:38,010 sue 395 00:29:39,280 --> 00:29:44,170 i don't wait calls here is a right so 396 00:29:45,160 --> 00:29:48,780 in this case the output channel is exactly the same is just the white 397 00:29:49,310 --> 00:29:53,310 well while there's no can spencer here so if i would take some other image 398 00:29:53,710 --> 00:29:54,900 that i know who 399 00:29:57,230 --> 00:29:57,840 it's like 400 00:29:59,520 --> 00:30:00,120 nice 401 00:30:00,920 --> 00:30:02,370 i'll a 402 00:30:03,300 --> 00:30:04,410 what is this time away 403 00:30:06,020 --> 00:30:09,210 so you can see that if i didn't have the math 404 00:30:09,700 --> 00:30:15,310 it's just mixing the colour information from the image we 405 00:30:16,640 --> 00:30:21,900 the colour that's provided by the transparent shader if i use the mask from the 406 00:30:21,900 --> 00:30:22,760 alpha channel 407 00:30:23,390 --> 00:30:25,020 it's doing what we need 408 00:30:26,970 --> 00:30:32,890 so it makes sense it would like be pdas to set up 409 00:30:33,530 --> 00:30:38,020 which i actually have to do for a lot of scenes that i had the 410 00:30:38,020 --> 00:30:39,900 when i was doing getting started 411 00:30:40,520 --> 00:30:49,640 the cycles engine has the great motion blur that's fast and accurate and there's no 412 00:30:49,640 --> 00:30:57,600 trouble with it as with the a composite or composite that a motion buffer that 413 00:30:57,600 --> 00:31:07,880 the hold rendering engine provide or also have like attractive motion blur by that's like 414 00:31:07,880 --> 00:31:12,750 if you want sixteen sample that means that each frame is rendered sixteen times it 415 00:31:12,750 --> 00:31:14,800 was just ridiculously slow 416 00:31:15,360 --> 00:31:21,760 so cycles great motion blur it's want to redo a lot of these things that 417 00:31:21,760 --> 00:31:22,940 the import 418 00:31:23,360 --> 00:31:26,270 images those planes rid of for you 419 00:31:27,000 --> 00:31:32,130 but it was worth it i mean it's this well there's really much better so 420 00:31:32,130 --> 00:31:38,220 another tool that i'm going to show you that's extremely useful for doing this sort 421 00:31:38,220 --> 00:31:38,500 of 422 00:31:41,270 --> 00:31:43,430 animation is the top sheet 423 00:31:44,160 --> 00:31:47,490 which i don't want all hope she'd what 424 00:31:48,940 --> 00:31:49,780 right name 425 00:31:52,020 --> 00:31:53,550 let's try this and 426 00:31:55,980 --> 00:31:57,890 that will be after again 427 00:32:02,590 --> 00:32:08,210 so as i was saying iteration is ski so let's say i would want to 428 00:32:08,210 --> 00:32:10,320 change the timing of 429 00:32:12,620 --> 00:32:14,840 you know this bubble appearing 430 00:32:15,390 --> 00:32:16,210 so 431 00:32:18,410 --> 00:32:20,710 blender has got and what's slow 432 00:32:28,120 --> 00:32:30,680 as got this which is the door she 433 00:32:31,520 --> 00:32:32,400 so 434 00:32:33,220 --> 00:32:34,970 you can view the 435 00:32:35,500 --> 00:32:38,630 time there's also a graph editor 436 00:32:39,220 --> 00:32:40,700 for each object 437 00:32:41,510 --> 00:32:42,110 here 438 00:32:45,180 --> 00:32:49,030 any property can be animated in linear and you have this 439 00:32:50,710 --> 00:32:51,990 it's you 440 00:32:52,790 --> 00:32:57,280 i would change the resolution but then it would break that we tried earlier so 441 00:32:58,210 --> 00:32:58,940 okay the 442 00:33:01,340 --> 00:33:02,800 i could do this 443 00:33:04,760 --> 00:33:05,640 and it is 444 00:33:06,010 --> 00:33:06,540 like the 445 00:33:12,730 --> 00:33:13,480 so 446 00:33:19,540 --> 00:33:20,900 but the line still 447 00:33:22,830 --> 00:33:23,180 cut 448 00:33:26,200 --> 00:33:32,100 alright never mind so this is like the property changing in time which is they 449 00:33:32,100 --> 00:33:33,440 act axes 450 00:33:34,100 --> 00:33:39,500 the don't cheat on the other hand only worries about the states of animation so 451 00:33:39,500 --> 00:33:46,300 each state that you use frame you set that you want this to remain at 452 00:33:46,300 --> 00:33:52,680 this value at this point of time is shown as adult it's kind of like 453 00:33:52,680 --> 00:33:54,070 have this preview 454 00:33:56,260 --> 00:33:59,800 that it to aggregates like individual properties 455 00:34:00,210 --> 00:34:06,590 for object so we can like have a fine detail or you can just see 456 00:34:06,590 --> 00:34:07,040 the 457 00:34:07,710 --> 00:34:14,700 individual p-frame without really knowing what exact property it is and just like in the 458 00:34:15,430 --> 00:34:20,790 the three D view all the transformations that you can do on object you can 459 00:34:20,790 --> 00:34:26,750 do one all the thumb key frames for example if i what we're gonna do 460 00:34:28,790 --> 00:34:29,560 mm 461 00:34:29,920 --> 00:34:32,280 i was gonna make this year 462 00:34:33,530 --> 00:34:33,930 were 463 00:34:37,020 --> 00:34:37,380 we 464 00:34:38,470 --> 00:34:39,930 comedy you 465 00:34:41,900 --> 00:34:43,790 so if i would think that this 466 00:34:45,730 --> 00:34:47,150 slot a it's not 467 00:34:47,610 --> 00:34:50,180 i wanted to too much tedious work 468 00:34:51,270 --> 00:34:51,830 and 469 00:34:53,140 --> 00:34:54,180 just one line 470 00:34:55,110 --> 00:34:56,010 okay so this one 471 00:34:56,650 --> 00:35:00,910 let's do this so it changes across five frames 472 00:35:02,390 --> 00:35:03,730 one two three 473 00:35:05,190 --> 00:35:05,560 eight 474 00:35:06,910 --> 00:35:11,100 we wanna do that slower we don't but let's assume that we wanna do that 475 00:35:11,100 --> 00:35:13,010 slower so i have the 476 00:35:15,040 --> 00:35:16,740 the final state year 477 00:35:17,450 --> 00:35:18,460 and 478 00:35:19,110 --> 00:35:19,860 i can 479 00:35:21,040 --> 00:35:24,970 these are really useful a problem here this one 480 00:35:26,350 --> 00:35:31,640 will show objects that are not even in the in the scene maybe move to 481 00:35:31,640 --> 00:35:37,660 other layers for our hidden so this enables fifty really see all the objects and 482 00:35:37,660 --> 00:35:42,860 this one on the other hand is only showing the key frames that are relating 483 00:35:42,860 --> 00:35:46,660 to these what is all czech which you know this is a very this is 484 00:35:46,660 --> 00:35:48,180 the most useful to because 485 00:35:48,750 --> 00:35:53,340 you're gonna end up any meeting even with a simple animation that actually you're gonna 486 00:35:53,340 --> 00:35:55,210 be any meeting so many proper 487 00:35:58,510 --> 00:35:59,660 these are artifacts 488 00:36:00,920 --> 00:36:01,400 here and 489 00:36:05,870 --> 00:36:06,250 so 490 00:36:11,600 --> 00:36:12,590 so making this 491 00:36:13,090 --> 00:36:14,670 this so 492 00:36:15,920 --> 00:36:21,410 to change that writing i just move the key frame so what if we wanna 493 00:36:21,410 --> 00:36:25,280 make it take twice as long i just grab it 494 00:36:26,220 --> 00:36:28,860 and move it by eight frames 495 00:36:29,310 --> 00:36:32,740 in the time line now if i animated 496 00:36:33,220 --> 00:36:35,430 it's taking twice as long are just 497 00:36:36,060 --> 00:36:39,010 actually show it in the context of the other animation 498 00:36:41,480 --> 00:36:42,020 that's 499 00:36:44,190 --> 00:36:44,680 lower 500 00:36:48,600 --> 00:36:51,740 and actually like that there's two things that are moving it's the 501 00:36:52,930 --> 00:36:55,030 the new plane 502 00:36:56,020 --> 00:36:57,280 the old one so 503 00:36:57,810 --> 00:36:58,380 this would be 504 00:36:59,380 --> 00:36:59,770 eight 505 00:37:00,560 --> 00:37:01,240 as well 506 00:37:03,600 --> 00:37:08,190 and these are individual objects actually so i would have to do that for all 507 00:37:08,190 --> 00:37:09,500 of them so 508 00:37:10,100 --> 00:37:14,530 the best way to do is do a box select make it more 509 00:37:15,370 --> 00:37:16,510 i have them selected 510 00:37:21,030 --> 00:37:23,070 do box selecting here well 511 00:37:25,130 --> 00:37:25,390 no 512 00:37:30,990 --> 00:37:33,030 i don't know why it's doing all these five 513 00:37:34,330 --> 00:37:35,370 well video 514 00:37:36,060 --> 00:37:36,520 eight 515 00:37:40,440 --> 00:37:41,940 it's also terribly slow 516 00:37:42,830 --> 00:37:44,570 so now i've moved 517 00:37:45,940 --> 00:37:49,430 all that so they have to speak so this is dope sheet 518 00:37:51,880 --> 00:37:53,400 it's also useful 519 00:37:54,370 --> 00:38:00,170 because like in here you in the curve editor you define 520 00:38:00,530 --> 00:38:06,960 how the states transition so you know you're changing the curve how fast or like 521 00:38:06,960 --> 00:38:14,200 you know they using and that kind of thing well this is just tiny when 522 00:38:14,200 --> 00:38:14,850 that 523 00:38:15,180 --> 00:38:20,840 state is happening it's also extremely useful to be states so i know what certain 524 00:38:20,840 --> 00:38:27,330 time i wanna return to that particular state i just copy the key frame and 525 00:38:27,330 --> 00:38:30,530 i know for example this i "'cause" that's fine 526 00:38:30,990 --> 00:38:32,010 it's really lot 527 00:38:33,020 --> 00:38:38,580 there we go so remarks i know it's position here 528 00:38:39,400 --> 00:38:42,280 and if i you would this put it in here 529 00:38:43,000 --> 00:38:47,860 it's going to be exactly there i mean there's other properties like scale that change 530 00:38:47,860 --> 00:38:53,730 but i know that whatever i have p-frame here just location is going to be 531 00:38:53,730 --> 00:38:55,650 exactly the same as it was 532 00:38:56,010 --> 00:38:57,160 when i copied it and 533 00:38:57,820 --> 00:38:58,440 this one 534 00:38:59,170 --> 00:39:01,250 so it's extremely useful 535 00:39:02,560 --> 00:39:07,000 at the whole are we with time you have any questions 536 00:39:07,790 --> 00:39:08,060 but 537 00:39:24,330 --> 00:39:30,250 you signing and that's one point three use people 538 00:39:33,810 --> 00:39:34,260 i 539 00:39:35,830 --> 00:39:42,640 everywhere and you like microsoft office all the options turned on i mean like there's 540 00:39:42,640 --> 00:39:50,530 we have people that are have for case usage of our software it's nothing compared 541 00:39:50,530 --> 00:39:51,440 to 542 00:39:52,180 --> 00:39:58,510 massive number of long tail like me like me i'm using blender for something that's 543 00:39:58,510 --> 00:40:06,100 not really meant like you wonder was not designed to do the animation at all 544 00:40:06,930 --> 00:40:07,490 it's just 545 00:40:09,410 --> 00:40:11,330 no i'm not gonna touch and 546 00:40:13,310 --> 00:40:19,140 well what we did we did actually like get involved in some cases john a 547 00:40:19,140 --> 00:40:25,550 was working on the like X T G of older stuff old and of the 548 00:40:25,550 --> 00:40:29,830 i call on you know some of these things 549 00:40:30,310 --> 00:40:33,170 like integrating at that level but 550 00:40:36,590 --> 00:40:39,210 they didn't have like the major redesign 551 00:40:39,860 --> 00:40:46,170 one of the things that i really like and that are completely you know specific 552 00:40:46,170 --> 00:40:46,770 to that 553 00:40:47,320 --> 00:40:50,480 audience is that every 554 00:40:50,880 --> 00:40:51,990 everything 555 00:40:52,870 --> 00:40:58,500 everywhere every key every property is an innate able like anywhere i am i can 556 00:40:58,500 --> 00:40:59,560 just press like 557 00:41:00,950 --> 00:41:02,190 visibility 558 00:41:03,190 --> 00:41:09,150 i insert a key frame everything is an innate able anywhere and also you can 559 00:41:09,150 --> 00:41:13,600 see really cryptic properties to tool tips showing up 560 00:41:14,160 --> 00:41:19,060 and that they like if i showed this to somebody you know would like it 561 00:41:19,060 --> 00:41:20,560 had no place there but 562 00:41:21,220 --> 00:41:29,590 people will more likely be you know doing very specific things and this is even 563 00:41:29,590 --> 00:41:35,700 for non wanna hackers it's useful because like for the getting started stuff 564 00:41:37,350 --> 00:41:41,420 i written i thought i 565 00:41:42,530 --> 00:41:48,580 it's very scary to admit that i publicly but you know because of the it 566 00:41:48,580 --> 00:41:53,160 because everything that i seen you why i can i know how to access it's 567 00:41:53,160 --> 00:41:58,270 and that conscripted somehow you know in a very sturdy way so i mean it's 568 00:41:58,270 --> 00:41:58,550 a 569 00:41:59,450 --> 00:42:03,130 it's just a different audience interface and i 570 00:42:03,580 --> 00:42:09,270 you know i'm not in love with many of the decisions especially like it shows 571 00:42:09,270 --> 00:42:14,240 that like all the options that i said you want i with my limited you 572 00:42:14,240 --> 00:42:20,520 wonder can reliably project every time i do anything so it's not the most stable 573 00:42:20,520 --> 00:42:23,470 piece of software but it really does everything 574 00:42:24,210 --> 00:42:25,680 it does everything 575 00:42:29,120 --> 00:42:35,200 okay what was like well so honestly they're related now so i didn't like this 576 00:42:35,200 --> 00:42:39,410 to is very much for people who do it like eight hours a day five 577 00:42:39,410 --> 00:42:44,100 days we right so like it's very hard to the few times i've been trying 578 00:42:44,100 --> 00:42:44,540 to 579 00:42:45,080 --> 00:42:50,500 well the right now the hard very hard times i was curious if there if 580 00:42:50,500 --> 00:42:54,940 you know of any other like innovation tools that are good like say i use 581 00:42:54,940 --> 00:42:59,060 i need to animate something like there is one that's not really like synthetic but 582 00:42:59,060 --> 00:43:05,480 really i spend time in blender for other projects and are doing different things so 583 00:43:05,480 --> 00:43:10,140 just familiar with it that way but there's many things like that the pattern that 584 00:43:10,140 --> 00:43:15,980 you that are common other like the dope she'd like you can't and they without 585 00:43:15,980 --> 00:43:23,020 every piece of software that you see that the crop editor also like any piece 586 00:43:23,020 --> 00:43:30,100 like you know apple motion everything or you know the adobe aftereffects everything is using 587 00:43:30,100 --> 00:43:36,490 the same kind of pattern so i would say a lot of people will be 588 00:43:36,490 --> 00:43:43,660 familiar with most like there's the materials set up that's kind of something that's specific 589 00:43:43,660 --> 00:43:44,880 to wonder 590 00:43:45,350 --> 00:43:49,460 but i've just shown you how to the web and you know now so 591 00:43:50,060 --> 00:43:54,250 goods mission is to do probably take an on the learn it's 592 00:43:54,590 --> 00:43:55,760 okay 593 00:44:04,820 --> 00:44:05,300 i 594 00:44:05,670 --> 00:44:10,790 i'd be really interested to know you have more about the i mean this is 595 00:44:10,790 --> 00:44:15,900 probably something i'd like to have as a conversation not really interested in a specific 596 00:44:15,900 --> 00:44:19,180 all the specific which is you'll up and use the mouse to get your job 597 00:44:19,180 --> 00:44:23,830 done and maybe even some of the features to do with ring transitions the you 598 00:44:23,830 --> 00:44:27,290 which you maybe even have to maybe buried and hard to get to than the 599 00:44:27,290 --> 00:44:33,090 because i'm working on a so actually my stuff to break which is basically trying 600 00:44:33,090 --> 00:44:39,370 to achieve this kind of altering capability for user interface is specifically for user interfaces 601 00:44:39,950 --> 00:44:42,580 i'm with the rent technology but 602 00:44:42,930 --> 00:44:45,160 i want this kind of visual design 603 00:44:46,110 --> 00:44:52,530 really i mean it's not you right well the that i don't do in blender 604 00:44:52,530 --> 00:44:58,740 i mentioned it and the beginning is interactivity i mean that there is the game 605 00:44:58,740 --> 00:45:06,380 engine but i just went for what technology so i jake very 606 00:45:06,970 --> 00:45:14,890 whenever there's interactivity involved wanna you know change the you very this is not of 607 00:45:14,890 --> 00:45:17,750 us to order type it in 608 00:45:18,370 --> 00:45:23,540 i'm sure the people that are very familiar with the game engine that will 609 00:45:24,110 --> 00:45:29,950 try to prove me wrong but i just go for at these cases 610 00:45:30,490 --> 00:45:32,730 but for just like 611 00:45:33,410 --> 00:45:41,590 this stuff transitions animation i you know there's very little that you need you just 612 00:45:41,590 --> 00:45:43,190 need the basic transforms 613 00:45:43,810 --> 00:45:50,130 so scaling rotation i have movement one thing that is kind of club see to 614 00:45:50,130 --> 00:45:52,200 do which i was gonna demo 615 00:45:53,590 --> 00:45:54,030 i don't 616 00:45:54,480 --> 00:46:01,690 make sense is sort of clipping masks or you know like when you want something 617 00:46:01,690 --> 00:46:07,890 to eat here like fade in the you know the into an area or that 618 00:46:07,890 --> 00:46:11,650 sort of thing which i'm currently just doing like a 619 00:46:12,730 --> 00:46:18,810 mask so like been erased so i'm doing it with a blue liens will be 620 00:46:18,810 --> 00:46:24,640 an operator the lender has got like also on may have not 621 00:46:26,580 --> 00:46:27,230 made it 622 00:46:27,540 --> 00:46:33,650 we are the interactivity means that you're not doing many destructive actions 623 00:46:34,050 --> 00:46:39,410 and hundred has got this modifier stack so you're changing things but you're keeping the 624 00:46:39,410 --> 00:46:40,280 primitives 625 00:46:40,650 --> 00:46:46,040 so you can always go back and change it so the bowl boolean operators also 626 00:46:46,040 --> 00:46:54,240 not really destroying the shapes the match it's just being dynamically apply to any make 627 00:46:54,240 --> 00:46:56,340 it so that's how i do like 628 00:46:56,920 --> 00:47:02,960 in here look this is this object is a 629 00:47:03,390 --> 00:47:06,390 cage so everything that moves 630 00:47:11,340 --> 00:47:16,430 so you have stuff this is just movement but everything that's outside of this cage 631 00:47:16,430 --> 00:47:20,350 is hidden invisible because this is only got 632 00:47:26,040 --> 00:47:30,590 so that's one of the areas that like if i wanted to do the fate 633 00:47:30,590 --> 00:47:34,640 that i would want to do it will be tricky i don't know how i 634 00:47:34,640 --> 00:47:36,580 would do it in the three D 635 00:47:38,260 --> 00:47:42,330 you on it so i would know how to do it in the other but 636 00:47:42,330 --> 00:47:43,870 then it just work 637 00:47:45,480 --> 00:47:48,080 i definitely bigger you should sit down with you 638 00:47:48,580 --> 00:47:52,790 and i don't is it works are interested in using tools like this but the 639 00:47:52,790 --> 00:47:58,630 sort of using the same technology you know you know that tool with bill you 640 00:47:58,630 --> 00:48:05,510 think letter it will it could not be a prototyping tool but some stuff actually 641 00:48:05,510 --> 00:48:09,490 but we have three in this in this something i'm really interested in is the 642 00:48:09,490 --> 00:48:15,640 idea of having the visual to actually you can directly connected to devices that you're 643 00:48:15,640 --> 00:48:21,060 developing your user interface post so for instance developing for buying or top and also 644 00:48:21,060 --> 00:48:25,500 you should actually on the one hand you got the technology that's being shared between 645 00:48:25,500 --> 00:48:28,290 the design so that's gonna run on the fire you know so 646 00:48:29,800 --> 00:48:34,110 you make changes as you're designing them and on your that's machine and you should 647 00:48:34,110 --> 00:48:37,600 be have to just pick up that phone and that's actually check out how the 648 00:48:37,600 --> 00:48:38,860 animation feels a 649 00:48:38,940 --> 00:48:39,650 response 650 00:48:40,200 --> 00:48:44,230 if we we're looking the problem specifically from the point of your you i the 651 00:48:44,230 --> 00:48:45,580 but i'm sure that we could 652 00:48:45,920 --> 00:48:47,790 figure out a much better way fly 653 00:48:52,990 --> 00:48:56,530 so i am some other 654 00:48:58,340 --> 00:49:01,260 thank you that i can show so for example in the 655 00:49:01,580 --> 00:49:08,750 i hope i've only example i probably didn't so this is also an older project 656 00:49:09,490 --> 00:49:10,030 i need it 657 00:49:12,130 --> 00:49:13,320 before 658 00:49:14,230 --> 00:49:15,030 and 659 00:49:16,640 --> 00:49:18,680 i wanted to touch 660 00:49:19,860 --> 00:49:20,710 so this is 661 00:49:24,480 --> 00:49:30,180 this is just demoing the behaviour scrolling on such devices and you can see that 662 00:49:33,780 --> 00:49:34,550 the 663 00:49:35,140 --> 00:49:43,580 big object that corresponds to the page being a new blind that finger 664 00:49:44,780 --> 00:49:45,810 circle 665 00:49:46,850 --> 00:49:50,370 and this is not any needed separately 666 00:49:51,000 --> 00:49:53,960 because it's actually quite hard to do 667 00:49:57,340 --> 00:50:00,740 a similar sort of thing that gets you out of 668 00:50:01,220 --> 00:50:03,040 the 669 00:50:04,290 --> 00:50:04,990 imp 670 00:50:05,920 --> 00:50:11,790 impression of animation is like when character moves on a surface 671 00:50:12,040 --> 00:50:14,560 on the ground and it slides 672 00:50:14,930 --> 00:50:19,880 so the ground is not actually like the fourth is not moving in correspondence that 673 00:50:19,880 --> 00:50:20,230 surf 674 00:50:20,930 --> 00:50:25,800 same thing would be here like if i would want to change anything in the 675 00:50:25,800 --> 00:50:34,220 time it would look bad so this is actually using constrains so that's another tool 676 00:50:34,220 --> 00:50:35,750 that's built into blender 677 00:50:36,590 --> 00:50:37,700 so 678 00:50:38,330 --> 00:50:41,880 are you interested in hearing about it or is it just 679 00:50:44,450 --> 00:50:45,300 out of time 680 00:50:46,150 --> 00:50:50,920 i thought i have so much time that i know is our is gonna 681 00:50:54,210 --> 00:50:54,350 i 682 00:50:56,520 --> 00:51:00,730 alright well if you're interested and i can tell you later 683 00:51:02,640 --> 00:51:03,710 so thank you